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ADVENTURES OF AN AMERICAN
OIL PAINTER

Member of the Portrait Society of America and Oil Painters of America  

Member of the Portrait Society of America and Oil Painters of America


 

 


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    Painting the Model Live from the Garden and from Photos in a Group 2 - Original Oil Painting Blog by American Oil Painter Daryl Urig

    Tuesday, August 24th, 2010

    See the beginning of this story and how this painting started

    Woman Waiting in Garden

    Oil on Canvas - 24 x 20 inches

    For this session, we chose to position the model completely in shadow. After positioning her, it seemed her head and face fell into a deeper shadow, which caused grays, teal grays and brown earthy colors to fill the scene.

    My challenge with this piece was to match the deep tones of the scene. I wanted the painting to emerge from the background with somber, bluish-gray tones.

    In retrospect, I could have taken a more direct approach to this piece. But I was initially unsure of how dark the tones had to be to hold the figure. Thus, I started painting lighter and continued to paint the piece until I acquired the deep tones. At the end of my painting session, I used Liquin glaze to deepen areas of the painting while allowing the color changes I had previously created to stand.

    See the beginning of this story and how this painting started

    © 2010 Daryl Urig, All Rights Reserved

    To view more paintings:
    Recent work: http://www.darylurig.com/2010-paintings.aspx
    Blog:  http://DarylUrig.com/blog
    Website: http://DarylUrig.com

    Enlist Urig for your next Historic Event Painting: http://www.darylurig.com/historic-event-oil-painting.aspx

    More on Daryl Urig:
    Interview & Bio: http://www.darylurig.com/about-daryl-urig.aspx

    Purchase:
    Price: Contact: Robyn@DarylUrig.com

    American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He has taught at the University of Cincinnati for over 8 years and is president of Total Media Source Inc.

    View his Exhibit and Awards by clicking here.

    Subscribe to Daryl Urig’s “The Adventure of an American Oil Painter” Blog by Email

    Add       to Technorati Favorites

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    Posted in Education, Oil Paintings for Sale, concepts in painting, plein air | No Comments »

    nude reclining - sketch group - Original Oil Painting Blog by American Oil Painter Daryl Urig

    Monday, August 23rd, 2010

    8 x 10 inches, oil on canvas

    I wanted my rendering to capture the simplicity and cascading lighting in this image while remaining sensitive to the subtle color changes in the model’s skin. I decided to capture the light and dark pattern and color changes in a beveled form. Although I made the painting of the figure more linear, it was the atmosphere that I created that held the painting together by merging the figure and background.

    © 2010 Daryl Urig, All Rights Reserved

    To view more paintings:
    Recent work: http://www.darylurig.com/2010-paintings.aspx
    Blog:  http://DarylUrig.com/blog
    Website: http://DarylUrig.com

    Enlist Urig for your next Historic Event Painting: http://www.darylurig.com/historic-event-oil-painting.aspx

    More on Daryl Urig:
    Interview & Bio: http://www.darylurig.com/about-daryl-urig.aspx

    Purchase:
    Price: Contact: Robyn@DarylUrig.com

    American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He has taught at the University of Cincinnati for over 8 years and is president of Total Media Source Inc.

    View his Exhibit and Awards by clicking here.

    Subscribe to Daryl Urig’s “The Adventure of an American Oil Painter” Blog by Email

    Add        to Technorati Favorites

    Post to Twitter Tweet This Post

    Posted in Daily Painter, Oil Paintings for Sale | No Comments »

    The “Starving Artist” is not a stereotype - Original Oil Painting Blog by American Oil Painter Daryl Urig

    Thursday, August 19th, 2010

    Artists spend their lives searching for praise and appreciation for their work. Most don’t ever find it. For some, it comes posthumously. For the lucky few, they find it within their lifetime.

    The point is: most artists spend their lives struggling. Although people admire their work and devotion to their craft, they seem to have little respect for the artist themselves.

    Most people get steady jobs after they finish high school and college. For them, their career is only a means to sustain their family’s lives. But for an artist, their work is their life’s passion. Unfortunately, artists don’t always enjoy the steady stream of income that those who take corporate jobs do.

    Whether it’s their lower income or lack of steady work, artists find themselves under-appreciated in the corporate world. Although museums, festivals and galleries showcase their work, the artist rarely profits, both personally and professionally.

    When one thinks of art, only some names come to mind: Monet, Picasso, Da Vinci and Michelangelo, to name a few. Although each of these artists achieved notoriety (some posthumously) with their work, they struggled.

    Monet’s famous piece, “Women in the Garden” (1866-67), took him about two years to finish. The canvas was 2.5 meters tall, and in order to paint the entire piece outside, he dug a trench in his garden and devised a pulley system to lower and raise the canvas. Although he labored over this piece for years, the Academie de Beaux-Arts denied the painting’s entrance to the Salon (art exhibit) of 1867. The Academie’s denial of his painting devastated Monet, as he had devoted a huge amount of time, money and energy to this piece.

    Instead of changing his work to suit the Academie, Monet, along with other artists, seceded from the mainstream artistic community (the Academie) and founded the Impressionists. These men gained the acclaim that all artists desire, but only after a period of struggle.

    The subjectivity of art, as evidenced by Monet’s clash with the Academie, is a big part of why artists struggle. By the nature of their work, artists are slaves to the likes of the consumer and viewer. Choosing to conform to the wants of the consumers can benefit the artist, but even if their work is “en vogue,” they still seem to financially struggle.

    Although artists are the ones who preserve and enhance the culture of towns, cities and countries, they’re highly under-appreciated. If the everyday businessman or woman can make a steady income, why can’t the everyday artist?

    
Maybe their pursuit of a career that they love is comparable to a monetary reward?

    But I think that’s just a cop-out!


    © 2010 Daryl Urig, All Rights Reserved

    To view more paintings:
    Recent work: http://www.darylurig.com/2010-paintings.aspx
    Blog:  http://DarylUrig.com/blog
    Website: http://DarylUrig.com

    Enlist Urig for your next Historic Event Painting: http://www.darylurig.com/historic-event-oil-painting.aspx

    More on Daryl Urig:
    Interview & Bio: http://www.darylurig.com/about-daryl-urig.aspx

    Purchase:
    Price: Contact: Robyn@DarylUrig.com

    American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He has taught at the University of Cincinnati for over 8 years and is president of Total Media Source Inc.

    View his Exhibit and Awards by clicking here.

    Subscribe to Daryl Urig’s “The Adventure of an American Oil Painter” Blog by Email

    Add      to Technorati Favorites

    Post to Twitter Tweet This Post

    Posted in Daily Painter, The Uphill Climb, concepts in painting | No Comments »

    Don’t Be Afraid To Change Your Painting - Original Oil Painting Blog by American Oil Painter Daryl Urig

    Monday, August 16th, 2010

    Lately, this seems like the best advice I can give myself. The fear of ruining my paintings through small alterations often keeps me from changing my works. But what I forget in these moments of worry is that sometimes the most minuscule changes can greatly enhance my pieces. What we need to remember while painting is that Art is an adventure. We must take risks in order to produce great work.

    If upon completion of your painting, there’s something you don’t like, then change it. By taking this risk, you may paint the greatest piece of your life, or you may destroy your creation. But the results are unimportant. Regardless of them, you will learn something new about yourself and your work, and that’s what is important, as painting is a never-ending journey.

    So, do me a favor, and take my advice: push on, take a risk and paint your hearts out!

    © 2010 Daryl Urig, All Rights Reserved

    To view more paintings:
    Recent work: http://www.darylurig.com/2010-paintings.aspx
    Blog:  http://DarylUrig.com/blog
    Website: http://DarylUrig.com

    Enlist Urig for your next Historic Event Painting: http://www.darylurig.com/historic-event-oil-painting.aspx

    More on Daryl Urig:
    Interview & Bio: http://www.darylurig.com/about-daryl-urig.aspx

    Purchase:
    Price: Contact: Robyn@DarylUrig.com

    American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He has taught at the University of Cincinnati for over 8 years and is president of Total Media Source Inc.

    View his Exhibit and Awards by clicking here.

    Subscribe to Daryl Urig’s “The Adventure of an American Oil Painter” Blog by Email

    Add       to Technorati Favorites

    Post to Twitter Tweet This Post

    Posted in Education, concepts in painting | No Comments »

    Table of Contents: March 27, 2009 through Aug. 12, 2010

    Friday, August 13th, 2010

    PLEIN AIR PAINTINGS

    “Country View - June 3, 2009” | June 4th, 2009 | http://darylurig.com/blog/?p=135

    “Knollman Farm House - June 6,2009” | June 8th, 2009 | http://darylurig.com/blog/?p=182

    “Woman on Beach - June 11, 2009” | June 11th, 2009 | http://darylurig.com/blog/?p=192

    “The Upward Climb - June 24, 2009” | June 24th, 2009 | http://darylurig.com/blog/?p=217

    “McKenzie, Animal Portrait” | August 19th, 2009 | http://darylurig.com/blog/?p=235

    “Happiness” | August 27th, 2009 | http://darylurig.com/blog/?p=251

    “New Light” | August 30th, 2009 | http://darylurig.com/blog/?p=254

    “Against the Tide” | October 10th, 2009 | http://darylurig.com/blog/?p=279

    “Free to Run” | October 19th, 2009 | http://darylurig.com/blog/?p=282

    “Old House (study)” | October 21st, 2009 | http://darylurig.com/blog/?p=285

    “Old House” | October 22nd, 2009 | http://darylurig.com/blog/?p=289

    “Self-Portrait in Woods” | November 9th, 2009 | http://darylurig.com/blog/?p=291

    “Morning Sun” | April 5th, 2010 | http://darylurig.com/blog/?p=395

    “Butterflies in My Garden” | April 12, 2010 | http://darylurig.com/blog/?p=400

    “Turner Farm” | May 7th, 2010 | http://darylurig.com/blog/?p=418

    “Grob Farm” | May 17th, 2010 | http://darylurig.com/blog/?p=425

    “Washington Heights School” | May 25th, 2010 | http://darylurig.com/blog/?p=427

    “Turner Farm House” | May 27th, 2010 | http://darylurig.com/blog/?p=435

    “My Wife’s Gaillardia Goblin Flowers” | June 3rd, 2010 | http://darylurig.com/blog/?p=439

    2 paintings | August 12th, 2010 | http://darylurig.com/blog/?p=547

    STUDIO PAINTINGS

    “The Guitar Player, My Tribute to Picasso” | July 2nd, 2009 | http://darylurig.com/blog/?p=225

    Two Guys, Sketch Group | August 26th, 2009 | http://darylurig.com/blog/?p=246

    “Sunflower Dance” | September 18th, 2009 | http://darylurig.com/blog/?p=269

    “The Blind Leading the Blind” | December 11th, 2009 | http://darylurig.com/blog/?p=305

    “Autumn Gourds” | December 21st, 2009 | http://darylurig.com/blog/?p=309

    “Open Gate” | December 30th, 2009 | http://darylurig.com/blog/?p=311

    “My Time” | January 4th, 2010 | http://darylurig.com/blog/?p=315

    “Disrobed” | January 13th, 2010 | http://darylurig.com/blog/?p=324

    “At Peace - Mother Nursing” | January 18th, 2010 | http://darylurig.com/blog/?p=328

    “Woman Combing Her Hair” | January 25th, 2010 | http://darylurig.com/blog/?p=331

    “Sea of Love” | January 27th, 2010 | http://darylurig.com/blog/?p=334

    “Nude Woman Reclining in Bed” | February 2nd, 2010 | http://darylurig.com/blog/?p=337

    “Woman Lying on Couch” | February 18th, 2010 | http://darylurig.com/blog/?p=341

    “Baseball - An American Pastime” | February 24th, 2010 | http://darylurig.com/blog/?p=347

    “Woman Standing in Doorway” | March 1st, 2010 | http://darylurig.com/blog/?p=349

    “Red head” | March 8th, 2010 | http://darylurig.com/blog/?p=352

    “Body Builder 2” | March 15th, 2010 | http://darylurig.com/blog/?p=359

    “The Model” | May 11th, 2010 | http://darylurig.com/blog/?p=421

    Cincinnati Art Club Sketches | June 29th, 2010 | http://darylurig.com/blog/?p=487

    GALLERY SERIES

    “Moments Before the Return” | September 2nd, 2009 | http://darylurig.com/blog/?p=257

    Why “Women in Garden” Series? | November 16th, 2009 | http://darylurig.com/blog/?p=294

    “Plein Air” Series | May 3rd, 2010 | http://darylurig.com/blog/?p=409

    “On the Road” Series | June 17th, 2010 | http://darylurig.com/blog/?p=466

    “Women in Garden” Series | July 12th, 2010 | http://darylurig.com/blog/?p=514

    OPEN PAINT SERIES

    Open Paint in Garden (Session 1) | July 8th, 2010 | http://darylurig.com/blog/?p=494

    Open Paint in Garden (Session 2) | July 13th, 2010 | http://darylurig.com/blog/?p=520

    Open Paint in Garden (Session 3) | July 25th, 2010 | http://darylurig.com/blog/?p=543

    GROB FARM PAINTING

    Grob Farm (Session 1) | June 6th, 2010 | http://darylurig.com/blog/?p=447

    Grob Farm (Session 2) | June 14th, 2010 | http://darylurig.com/blog/?p=476

    Grob Farm (Session 3) | July 7th, 2010 | http://darylurig.com/blog/?p=492

    ADVICE FOR BETTER PAINTINGS

    A Tip from a Painter on Overcoming a Creative Block | March 27th, 2009 | http://darylurig.com/blog/?p=8

    Emergence of Originality - PROWIA not Style | June 12th, 2009 | http://darylurig.com/blog/?p=189

    Repainting a Painting for Simplicity | August 23rd, 2009 | http://darylurig.com/blog/?p=242

    We Gain Empirical Knowledge through our Struggles as a Painter | January 7th, 2010 | http://darylurig.com/blog/?p=319

    My Daily Routine as a Fine Arts Oil Painter | March 18th, 2010 | http://darylurig.com/blog/?p=364

    Drawing with Conceived Forms | March 22nd, 2010 | http://darylurig.com/blog/?p=378

    Use Faith to Paint a Better Reality | August 2nd, 2010 | http://darylurig.com/blog/?p=532

    Look Past Sociological Ideals to Paint Better | August 5th, 2010 | http://darylurig.com/blog/?p=590

    Use Your Artistic Neuroses to Paint Better | August 8th, 2010 | http://darylurig.com/blog/?p=555

    OPINION PIECES

    Paint a Portrait from a Photo or Life? What is the Best Rule? | April 3rd, 2009 | http://darylurig.com/blog/?p=17

    Earning an Income from Your Exhibitions, even Nationally Juried Exhibitions: Ask Questions and Be Informed. | July 14th, 2009 | http://darylurig.com/blog/?p=229

    Save Money on Canvases, Framing and Juried Show Shopping | August 21st, 2009 | http://darylurig.com/blog/?p=237

    Are You Really an Impressionist Painter? | April 22nd, 2010 | http://darylurig.com/blog/?p=403

    Art Is It’s Own Language | July 22nd, 2010 | http://darylurig.com/blog/?p=457

    Painting Is a Lifetime Study | August 2nd, 2010 | http://darylurig.com/blog/?p=473

    PAINTING A DAY FOR 31 DAYS

    Daryl Urig’s 31 Days, 31 Paintings, Online May Auction | May 2nd, 2009 | http://darylurig.com/blog/?p=32

    A Painting a Day, Day 7 | May 7th, 2009 | http://darylurig.com/blog/?p=48

    A Painting a Day, Day 14 | May 15th, 2009 | http://darylurig.com/blog/?p=69

    A Painting a Day, Day 21 | May 21st, 2009 | http://darylurig.com/blog/?p=77

    What I learned from Doing “A Painting A Day” | May 28th, 2009 | http://darylurig.com/blog/?p=85

    Wrapping Up 31 Days of Continuous Painting | May 31st, 2009 | http://darylurig.com/blog/?p=117

    NEWS

    Portrait Society of America Award | November 23rd, 2009 | http://darylurig.com/blog/?p=303

    Arnold Schwarzenegger Choice Award | March 9th, 2010 | http://darylurig.com/blog/?p=355

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    Posted in Table of Contents | No Comments »

    Painting the Model Live from the Garden and from Photos in a Group 1 - Original Oil Painting Blog by American Oil Painter Daryl Urig

    Sunday, July 25th, 2010

    I recently found a model in the most unlikely place: our bank. She had perfect features for painting, similar to those you see in Baroque Art. Even greater, she was a still model whom everyone enjoyed painting.

    During my first session, I painted her in the shadow, quite similar to a Jeremy Lipking piece. For this painting, I allowed my emotional senses to guide me. I was quite pleased with the composition after our 3-hour painting session and critique, even though my piece did not have a completed background.

    Luckily, I took pictures of the model in the same position in which I painted her during our first session. The next evening, I printed the images on a 8 œ x 11 inch sheet and took them to the garden location, set up my paints and worked on the background of the piece. Going back and forth between the photographs and the garden, I painted as much of the background as I could within 3 hours.

    20 x  24 - painting in progress

    20 x 24 - painting in progress

    During my second session, I struggled to complete the background. In my work, I had never been forced to choose between the real landscape and a photograph. Thus, it took me much longer to complete this piece. One thing I learned from the photo was that I hadn’t added enough medium tone to the heart of the painting. Adding this tone (being mindful to not destroy the piece’s coloration) unified the piece.

    Overall, I’m learning from the other painters in my group. They’ve pushed and encouraged me. I would suggest that other artists form their own groups to paint.


    To view more paintings:
    Recent work: http://www.darylurig.com/2010-paintings.aspx
    Blog:  http://DarylUrig.com/blog
    Website: http://DarylUrig.com

    Enlist Urig for your next Historic Event Painting: http://www.darylurig.com/historic-event-oil-painting.aspx

    More on Daryl Urig:
    Interview & Bio: http://www.darylurig.com/about-daryl-urig.aspx

    Purchase:
    Store: http://www.darylurig.com/store.html
    Price: Contact: Robyn@DarylUrig.com

    American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He has taught at the University of Cincinnati for over 8 years and is president of Total Media Source Inc.

    View his Exhibit and Awards by clicking here.

    Subscribe to Daryl Urig’s “The Adventure of an American Oil Painter” Blog by Email

    Add    to Technorati Favorites

    Post to Twitter Tweet This Post

    Posted in Education, Oil Paintings for Sale, concepts in painting, plein air | No Comments »

    Open Paint #2 - Plein Air with Live Model - Original Oil Painting Blog by American Oil Painter Daryl Urig

    Tuesday, July 13th, 2010

    See open paint #1, the beginning of this experience.

    It was too hot for the model on our second evening, and unfortunately, I hadn’t thought of that problem until tonight. But thanks to the ingenuity of a fellow artist, who suggested a fan and shortened pose increments, we were able to accommodate her nicely. Eventually, the night air cooled us, making the heat a non-issue for the artists and model.

    This evening I tried something different with my painting. I read in a book recently that when you return to a dried canvas, you can rub it with linseed oil to give it a wet look. I liked this technique, as covering a dried canvas with wet paint often bothers me.

    Woman tending her garden

    I learned a lot this evening. By allowing the paint to suggest the form of my image, it helped my piece. I experimented with the simplified form of basic foliage. The burnt umber color I pushed with yellows, oranges, blues and Alizarin Crimson provided a nice color to the needed greens of the scene. The colors are more vibrant when painting outside.

    By breaking the canvas up into small shapes, I added rhythm to the piece, and the direction of the rake handle placed the focus on the face of the woman tending her garden.

    My final image’s likeness to the model surprised me because I was working quickly and loosely. I’ve thoroughly enjoyed my experience of painting a model live outdoors in the garden, so we are lining up another model for next week.

    Woman tending her garden - 20 x 30 inch painting on canvas

    work in progress - session 1

    To view more paintings:
    Recent work: http://www.darylurig.com/2010-paintings.aspx
    Blog:  http://DarylUrig.com/blog
    Website: http://DarylUrig.com

    More on Daryl Urig:
    Interview & Bio: http://www.darylurig.com/about-daryl-urig.aspx

    Purchase:
    Price: Contact: Robyn@DarylUrig.com

    American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He has taught at the University of Cincinnati for over 8 years and is president of Total Media Source Inc.

    View his Exhibit and Awards by clicking here.

    Subscribe to Daryl Urig’s “The Adventure of an American Oil Painter” Blog by Email

    Add      to Technorati Favorites

    Post to Twitter Tweet This Post

    Posted in Oil Paintings for Sale, concepts in painting, plein air | No Comments »

    Woman in the Garden Series - Studio - Original Oil Painting Blog by American Oil Painter Daryl Urig

    Monday, July 12th, 2010

    Some of my fondest memories of childhood are of my mother working in her garden. It could have been her strong, ethereal connection during those moments, or maybe just the warm glow that laboring in the sun brings. Whatever it was, it imprinted a lasting memory of beauty in my mind.

    One day, after observing my wife tending to our garden, I decided to bring my fond childhood memories to my artwork, and developed my “Women in the Garden” series. Each oil painting in this series depicts a woman doing different chores in the garden.

    "Dancing Light" Awarded The Presidents Award from "The American Artists Professional League" 2008 Grand National Juried Exhibition

    See the complete series here:

    I used loose brush strokes and vibrant colors with highly textured flowers on the foreground to add space to paint the images in this series. By using this technique, I created my series in the same vein as the Impressionists, like Monet.

    In 1867, Monet finished a painting, entitled “Women in the Garden,” that depicted various women, including his wife, Camile, doing a variety of activities in a garden. This piece demonstrated the techniques of Impressionist artists, like loose brush strokes, blurred boundaries and vibrant colors.

    In creating my series, I drew inspiration from Monet. His use of loose brush strokes and vibrant colors resonated with my wife and mother’s casual encounters with their gardens. Like Monet, I chose to paint each piece on a sunny day to capture the warmth of beautiful women tending to their gardens.

    I hope you enjoy the artistic parallels my “Women in the Garden” series draws to Monet’s artwork. If you are in Chicago, please stop by the Hilligoss Galleries to view my series of paintings.

    To view more paintings
    Recent work: http://www.darylurig.com/2010-paintings.aspx
    Blog:  http://DarylUrig.com/blog
    Website: http://DarylUrig.com

    Purchase:
    Price: Contact: Robyn@DarylUrig.com

    American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He is an Adjunct Professor at the University of Cincinnati for over 9 years and is president of Total Media Source Inc.

    View his Exhibit and Awards by clicking here.

    Subscribe to Daryl Urig’s “The Adventure of an American Oil Painter” Blog by Email

    Add               to Technorati Favorites

    Post to Twitter Tweet This Post

    Posted in Oil Paintings for Sale, concepts in painting | No Comments »

    Open Paint - Plein Air with Live Model - Original Oil Painting Blog by American Oil Painter Daryl Urig

    Thursday, July 8th, 2010

    Thoughts before the session:

    Painting a live model outside has much to offer the oil painter. Unfortunately, most artists (even some of the original Impressionists) paint their live models inside, and only move outdoors to paint their background.

    Fortunately, I like to paint live models in my garden. Painting a live model in the garden provides both natural light and colors. Painting a whole piece outdoors teaches an artist to capture various moments in time in order to create a cohesive design on their canvas.

    Some of the potential drawbacks of the session could be rapidly changing light, difficult weather conditions, or storms. Painting moving light, however, adds something interesting to a painting. Even in indoor settings, a model’s movement changes the position of their garments, altering their pose and affecting the lighting.

    Painting outdoors, the artist needs to be more aware of time and their surroundings. Artists only have a certain amount of time for each sitting. Due to this time restriction, artists must complete their pieces over an extended period of time. However, a day or week can change subtle parts of the landscape, making it difficult to paint a uniform image. However, I think the changing landscape is beneficial, as it provides the artist with more choices to make for their piece.

    Thoughts after the first the painting session:

    Before the session, I was nervous the model wouldn’t show. But that proved to be needless worry, as she showed up and the session commenced on time.

    Everyone started their painting differently. Some worked in one tone, others from top to bottom, and myself in a general color exploration.

    We were all impressed with how our positioning for the model worked well, as over the three-hours, the lighting on the model didn’t change. We only encountered subtle changes, as the light moved, providing a variety of choices for setting the model off from the background.

    work in progress - session 1

    My main concern was placing the model in a position on the canvas that would allow me to heighten the composition and further develop the piece. As usual, I spent much of my session, focusing on the colors of the painting. I tried to place each stroke as a gesture stroke, loosely laying soft colors next to each other, while remaining aware of the lights and darks needed to bring the painting together.

    Overall, it was an invigorating session, especially as I was in the company of committed painters. Most importantly, new friends were made and everyone appreciated the garden!

    Daryl Urig’s Paintings from the Garden with a Live Model - Wednesday Evenings Open Painting

    What to Bring:

    Easel and painting supplies

    Drop cloth - to protect my patio

    Umbrella - to shade your canvas and pallet for consistent color matching

    Large canvas - to complete in 2 paint sessions

    Small canvas - to do a quick color study and work out composition

    $15 payment is due on arrival to participate in paint session

    Time: Wednesday Evening from 5:30 pm – 8:30 pm

    Starts June 30th

    Please come 15 minutes early to set up. Stay after to share a glass of wine, your paint experiences and dreams. Water will also be provided.

    Confirmation: Please come to as many classes as your schedule will allow. E-mail prior to each class to reserve your spot.

    Location:

    Daryl Urig’s Studio

    654 Ridgeview Drive

    Harrison OH 45030

    USA

    513-708-7981

    contact@DarylUrig.com

    Notes: This is a non-instructional class. When you attend a class, please be courteous to the other painters, talk quietly, and be open to and ready to provide constructive criticism to your fellow painters. You must provide your own supplies, meals and transportation.

    To view more paintings:
    Recent work: http://www.darylurig.com/2010-paintings.aspx
    Blog:  http://DarylUrig.com/blog
    Website: http://DarylUrig.com

    More on Daryl Urig:
    Interview & Bio: http://www.darylurig.com/about-daryl-urig.aspx

    Purchase:
    Store: http://www.darylurig.com/store.html
    Price: Contact: Robyn@DarylUrig.com

    American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He has taught at the University of Cincinnati for over 8 years and is president of Total Media Source Inc.

    View his Exhibit and Awards by clicking here.

    Subscribe to Daryl Urig’s “The Adventure of an American Oil Painter” Blog by Email

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    Developing a Painting of Grobs Farm #3 (Finished) - Original Oil Painting Blog by American Oil Painter Daryl Urig

    Wednesday, July 7th, 2010

    Finished!

    It’s hard to paint things to which you have an emotional attachment. Grob Farm is one of those things: Not only does it have historical importance, but my father, grandfather and three generations before were all farmers in Avon, OH. Going to and painting Grob Farm bring back many fond memories, especially since it’s a working farm that still uses a horse to plow its fields.

    The trees and lighting were important to my images, as they demonstrated my protectiveness of the Farm. Even though Grob Farm is old, the long-standing trees screamed strength.

    I painted the shadows and fence abstractly to focus the viewers’ attention on the farm buildings. I was also hoping these abstract depictions would draw the viewers into the composition, suggesting something better lurks on the other side of the fence.

    My goal for this piece was to approach the Farm as Paul Cezanne approached his mountain. Like Cezanne, I painted plein air, provided my own interpretation of the images and used lights and darks to whimsically suggest form.

    As a side note, thank you to the nice people that stopped to talk with me while I painted this location. It was fun to hear their comments and thoughts about the farm!

    Read more about this story in a previous blog post: Developing a Painting of Grobs Farm #1
    Read more about this story in a previous blog post: Developing a Painting of Grobs Farm #2

    To view more paintings
    Recent work: http://www.darylurig.com/2010-paintings.aspx
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    American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He is an Adjunct Professor at the University of Cincinnati for over 9 years and is president of Total Media Source Inc.

    View his Exhibit and Awards by clicking here.

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    Posted in Historical Sites, Oil Paintings for Sale, plein air | No Comments »

     

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