Posts Tagged ‘sculpted paint’
Tuesday, August 24th, 2010
See the beginning of this story and how this painting started

Woman Waiting in Garden
Oil on Canvas - 24 x 20 inches
For this session, we chose to position the model completely in shadow. After positioning her, it seemed her head and face fell into a deeper shadow, which caused grays, teal grays and brown earthy colors to fill the scene.
My challenge with this piece was to match the deep tones of the scene. I wanted the painting to emerge from the background with somber, bluish-gray tones.
In retrospect, I could have taken a more direct approach to this piece. But I was initially unsure of how dark the tones had to be to hold the figure. Thus, I started painting lighter and continued to paint the piece until I acquired the deep tones. At the end of my painting session, I used Liquin glaze to deepen areas of the painting while allowing the color changes I had previously created to stand.
See the beginning of this story and how this painting started
© 2010 Daryl Urig, All Rights Reserved
To view more paintings:
Recent work: http://www.darylurig.com/2010-paintings.aspx
Blog:Â http://DarylUrig.com/blog
Website: http://DarylUrig.com
Enlist Urig for your next Historic Event Painting: http://www.darylurig.com/historic-event-oil-painting.aspx
More on Daryl Urig:
Interview & Bio: http://www.darylurig.com/about-daryl-urig.aspx
Purchase:
Price: Contact: Robyn@DarylUrig.com
American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He has taught at the University of Cincinnati for over 8 years and is president of Total Media Source Inc.
View his Exhibit and Awards by clicking here.
Subscribe to Daryl Urig’s “The Adventure of an American Oil Painter” Blog by Email

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Posted in Education, Oil Paintings for Sale, concepts in painting, plein air | No Comments »
Monday, August 23rd, 2010

8 x 10 inches, oil on canvas
I wanted my rendering to capture the simplicity and cascading lighting in this image while remaining sensitive to the subtle color changes in the modelâs skin. I decided to capture the light and dark pattern and color changes in a beveled form. Although I made the painting of the figure more linear, it was the atmosphere that I created that held the painting together by merging the figure and background.
© 2010 Daryl Urig, All Rights Reserved
To view more paintings:
Recent work: http://www.darylurig.com/2010-paintings.aspx
Blog:Â http://DarylUrig.com/blog
Website: http://DarylUrig.com
Enlist Urig for your next Historic Event Painting: http://www.darylurig.com/historic-event-oil-painting.aspx
More on Daryl Urig:
Interview & Bio: http://www.darylurig.com/about-daryl-urig.aspx
Purchase:
Price: Contact: Robyn@DarylUrig.com
American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He has taught at the University of Cincinnati for over 8 years and is president of Total Media Source Inc.
View his Exhibit and Awards by clicking here.
Subscribe to Daryl Urig’s “The Adventure of an American Oil Painter” Blog by Email

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Posted in Daily Painter, Oil Paintings for Sale | No Comments »
Thursday, August 19th, 2010
Artists spend their lives searching for praise and appreciation for their work. Most donât ever find it. For some, it comes posthumously. For the lucky few, they find it within their lifetime.
The point is: most artists spend their lives struggling. Although people admire their work and devotion to their craft, they seem to have little respect for the artist themselves.
Most people get steady jobs after they finish high school and college. For them, their career is only a means to sustain their familyâs lives. But for an artist, their work is their lifeâs passion. Unfortunately, artists donât always enjoy the steady stream of income that those who take corporate jobs do.
Whether itâs their lower income or lack of steady work, artists find themselves under-appreciated in the corporate world. Although museums, festivals and galleries showcase their work, the artist rarely profits, both personally and professionally.
When one thinks of art, only some names come to mind: Monet, Picasso, Da Vinci and Michelangelo, to name a few. Although each of these artists achieved notoriety (some posthumously) with their work, they struggled.
Monetâs famous piece, âWomen in the Gardenâ (1866-67), took him about two years to finish. The canvas was 2.5 meters tall, and in order to paint the entire piece outside, he dug a trench in his garden and devised a pulley system to lower and raise the canvas. Although he labored over this piece for years, the Academie de Beaux-Arts denied the paintingâs entrance to the Salon (art exhibit) of 1867. The Academieâs denial of his painting devastated Monet, as he had devoted a huge amount of time, money and energy to this piece.
Instead of changing his work to suit the Academie, Monet, along with other artists, seceded from the mainstream artistic community (the Academie) and founded the Impressionists. These men gained the acclaim that all artists desire, but only after a period of struggle.
The subjectivity of art, as evidenced by Monetâs clash with the Academie, is a big part of why artists struggle. By the nature of their work, artists are slaves to the likes of the consumer and viewer. Choosing to conform to the wants of the consumers can benefit the artist, but even if their work is âen vogue,â they still seem to financially struggle.
Although artists are the ones who preserve and enhance the culture of towns, cities and countries, theyâre highly under-appreciated. If the everyday businessman or woman can make a steady income, why canât the everyday artist?
âŠMaybe their pursuit of a career that they love is comparable to a monetary reward?
But I think thatâs just a cop-out!
© 2010 Daryl Urig, All Rights Reserved
To view more paintings:
Recent work: http://www.darylurig.com/2010-paintings.aspx
Blog:Â http://DarylUrig.com/blog
Website: http://DarylUrig.com
Enlist Urig for your next Historic Event Painting: http://www.darylurig.com/historic-event-oil-painting.aspx
More on Daryl Urig:
Interview & Bio: http://www.darylurig.com/about-daryl-urig.aspx
Purchase:
Price: Contact: Robyn@DarylUrig.com
American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He has taught at the University of Cincinnati for over 8 years and is president of Total Media Source Inc.
View his Exhibit and Awards by clicking here.
Subscribe to Daryl Urig’s “The Adventure of an American Oil Painter” Blog by Email

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Monday, August 16th, 2010
Lately, this seems like the best advice I can give myself. The fear of ruining my paintings through small alterations often keeps me from changing my works. But what I forget in these moments of worry is that sometimes the most minuscule changes can greatly enhance my pieces. What we need to remember while painting is that Art is an adventure. We must take risks in order to produce great work.
If upon completion of your painting, thereâs something you donât like, then change it. By taking this risk, you may paint the greatest piece of your life, or you may destroy your creation. But the results are unimportant. Regardless of them, you will learn something new about yourself and your work, and thatâs what is important, as painting is a never-ending journey.
So, do me a favor, and take my advice: push on, take a risk and paint your hearts out!
© 2010 Daryl Urig, All Rights Reserved
To view more paintings:
Recent work: http://www.darylurig.com/2010-paintings.aspx
Blog:Â http://DarylUrig.com/blog
Website: http://DarylUrig.com
Enlist Urig for your next Historic Event Painting: http://www.darylurig.com/historic-event-oil-painting.aspx
More on Daryl Urig:
Interview & Bio: http://www.darylurig.com/about-daryl-urig.aspx
Purchase:
Price: Contact: Robyn@DarylUrig.com
American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He has taught at the University of Cincinnati for over 8 years and is president of Total Media Source Inc.
View his Exhibit and Awards by clicking here.
Subscribe to Daryl Urig’s “The Adventure of an American Oil Painter” Blog by Email

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Friday, August 13th, 2010
PLEIN AIR PAINTINGS
âCountry View - June 3, 2009â | June 4th, 2009 | http://darylurig.com/blog/?p=135
âKnollman Farm House - June 6,2009â | June 8th, 2009 | http://darylurig.com/blog/?p=182
âWoman on Beach - June 11, 2009â | June 11th, 2009 | http://darylurig.com/blog/?p=192
âThe Upward Climb - June 24, 2009â | June 24th, 2009 | http://darylurig.com/blog/?p=217
âMcKenzie, Animal Portraitâ | August 19th, 2009 | http://darylurig.com/blog/?p=235
âHappinessâ | August 27th, 2009 | http://darylurig.com/blog/?p=251
âNew Lightâ | August 30th, 2009 | http://darylurig.com/blog/?p=254
âAgainst the Tideâ | October 10th, 2009 | http://darylurig.com/blog/?p=279
âFree to Runâ | October 19th, 2009 | http://darylurig.com/blog/?p=282
âOld House (study)â | October 21st, 2009 | http://darylurig.com/blog/?p=285
âOld Houseâ | October 22nd, 2009 | http://darylurig.com/blog/?p=289
âSelf-Portrait in Woodsâ | November 9th, 2009 | http://darylurig.com/blog/?p=291
âMorning Sunâ | April 5th, 2010 | http://darylurig.com/blog/?p=395
âButterflies in My Gardenâ | April 12, 2010 | http://darylurig.com/blog/?p=400
âTurner Farmâ | May 7th, 2010 | http://darylurig.com/blog/?p=418
âGrob Farmâ | May 17th, 2010 | http://darylurig.com/blog/?p=425
âWashington Heights Schoolâ | May 25th, 2010 | http://darylurig.com/blog/?p=427
âTurner Farm Houseâ | May 27th, 2010 | http://darylurig.com/blog/?p=435
âMy Wifeâs Gaillardia Goblin Flowersâ | June 3rd, 2010 | http://darylurig.com/blog/?p=439
2 paintings | August 12th, 2010 | http://darylurig.com/blog/?p=547
STUDIO PAINTINGS
âThe Guitar Player, My Tribute to Picassoâ | July 2nd, 2009 | http://darylurig.com/blog/?p=225
Two Guys, Sketch Group | August 26th, 2009 | http://darylurig.com/blog/?p=246
âSunflower Danceâ | September 18th, 2009 | http://darylurig.com/blog/?p=269
âThe Blind Leading the Blindâ | December 11th, 2009 | http://darylurig.com/blog/?p=305
âAutumn Gourdsâ | December 21st, 2009 | http://darylurig.com/blog/?p=309
âOpen Gateâ | December 30th, 2009 | http://darylurig.com/blog/?p=311
âMy Timeâ | January 4th, 2010 | http://darylurig.com/blog/?p=315
âDisrobedâ | January 13th, 2010 | http://darylurig.com/blog/?p=324
âAt Peace - Mother Nursingâ | January 18th, 2010 | http://darylurig.com/blog/?p=328
âWoman Combing Her Hairâ | January 25th, 2010 | http://darylurig.com/blog/?p=331
âSea of Loveâ | January 27th, 2010 | http://darylurig.com/blog/?p=334
âNude Woman Reclining in Bedâ | February 2nd, 2010 | http://darylurig.com/blog/?p=337
âWoman Lying on Couchâ | February 18th, 2010 | http://darylurig.com/blog/?p=341
âBaseball - An American Pastimeâ | February 24th, 2010 | http://darylurig.com/blog/?p=347
âWoman Standing in Doorwayâ | March 1st, 2010 | http://darylurig.com/blog/?p=349
âRed headâ | March 8th, 2010 | http://darylurig.com/blog/?p=352
âBody Builder 2â | March 15th, 2010 | http://darylurig.com/blog/?p=359
âThe Modelâ | May 11th, 2010 | http://darylurig.com/blog/?p=421
Cincinnati Art Club Sketches | June 29th, 2010 | http://darylurig.com/blog/?p=487
GALLERY SERIES
âMoments Before the Returnâ | September 2nd, 2009 | http://darylurig.com/blog/?p=257
Why âWomen in Gardenâ Series? | November 16th, 2009 | http://darylurig.com/blog/?p=294
âPlein Airâ Series | May 3rd, 2010 | http://darylurig.com/blog/?p=409
âOn the Roadâ Series | June 17th, 2010 | http://darylurig.com/blog/?p=466
âWomen in Gardenâ Series | July 12th, 2010 | http://darylurig.com/blog/?p=514
OPEN PAINT SERIES
Open Paint in Garden (Session 1) | July 8th, 2010 | http://darylurig.com/blog/?p=494
Open Paint in Garden (Session 2) | July 13th, 2010 | http://darylurig.com/blog/?p=520
Open Paint in Garden (Session 3) | July 25th, 2010 | http://darylurig.com/blog/?p=543
GROB FARM PAINTING
Grob Farm (Session 1) | June 6th, 2010 | http://darylurig.com/blog/?p=447
Grob Farm (Session 2) | June 14th, 2010 | http://darylurig.com/blog/?p=476
Grob Farm (Session 3) | July 7th, 2010 | http://darylurig.com/blog/?p=492
ADVICE FOR BETTER PAINTINGS
A Tip from a Painter on Overcoming a Creative Block | March 27th, 2009 | http://darylurig.com/blog/?p=8
Emergence of Originality - PROWIA not Style | June 12th, 2009 | http://darylurig.com/blog/?p=189
Repainting a Painting for Simplicity | August 23rd, 2009 | http://darylurig.com/blog/?p=242
We Gain Empirical Knowledge through our Struggles as a Painter | January 7th, 2010 | http://darylurig.com/blog/?p=319
My Daily Routine as a Fine Arts Oil Painter | March 18th, 2010 | http://darylurig.com/blog/?p=364
Drawing with Conceived Forms | March 22nd, 2010 | http://darylurig.com/blog/?p=378
Use Faith to Paint a Better Reality | August 2nd, 2010 | http://darylurig.com/blog/?p=532
Look Past Sociological Ideals to Paint Better | August 5th, 2010 | http://darylurig.com/blog/?p=590
Use Your Artistic Neuroses to Paint Better | August 8th, 2010 | http://darylurig.com/blog/?p=555
OPINION PIECES
Paint a Portrait from a Photo or Life? What is the Best Rule? | April 3rd, 2009 | http://darylurig.com/blog/?p=17
Earning an Income from Your Exhibitions, even Nationally Juried Exhibitions: Ask Questions and Be Informed. | July 14th, 2009 | http://darylurig.com/blog/?p=229
Save Money on Canvases, Framing and Juried Show Shopping | August 21st, 2009 | http://darylurig.com/blog/?p=237
Are You Really an Impressionist Painter? | April 22nd, 2010 | http://darylurig.com/blog/?p=403
Art Is Itâs Own Language | July 22nd, 2010 | http://darylurig.com/blog/?p=457
Painting Is a Lifetime Study | August 2nd, 2010 | http://darylurig.com/blog/?p=473
PAINTING A DAY FOR 31 DAYS
Daryl Urigâs 31 Days, 31 Paintings, Online May Auction | May 2nd, 2009 | http://darylurig.com/blog/?p=32
A Painting a Day, Day 7 | May 7th, 2009 | http://darylurig.com/blog/?p=48
A Painting a Day, Day 14 | May 15th, 2009 | http://darylurig.com/blog/?p=69
A Painting a Day, Day 21 | May 21st, 2009 | http://darylurig.com/blog/?p=77
What I learned from Doing âA Painting A Dayâ | May 28th, 2009 | http://darylurig.com/blog/?p=85
Wrapping Up 31 Days of Continuous Painting | May 31st, 2009 | http://darylurig.com/blog/?p=117
NEWS
Portrait Society of America Award | November 23rd, 2009 | http://darylurig.com/blog/?p=303
Arnold Schwarzenegger Choice Award | March 9th, 2010 | http://darylurig.com/blog/?p=355
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Sunday, July 25th, 2010
I recently found a model in the most unlikely place: our bank. She had perfect features for painting, similar to those you see in Baroque Art. Even greater, she was a still model whom everyone enjoyed painting.
During my first session, I painted her in the shadow, quite similar to a Jeremy Lipking piece. For this painting, I allowed my emotional senses to guide me. I was quite pleased with the composition after our 3-hour painting session and critique, even though my piece did not have a completed background.
Luckily, I took pictures of the model in the same position in which I painted her during our first session. The next evening, I printed the images on a 8 œ x 11 inch sheet and took them to the garden location, set up my paints and worked on the background of the piece. Going back and forth between the photographs and the garden, I painted as much of the background as I could within 3 hours.
 20 x 24 - painting in progress
During my second session, I struggled to complete the background. In my work, I had never been forced to choose between the real landscape and a photograph. Thus, it took me much longer to complete this piece. One thing I learned from the photo was that I hadnât added enough medium tone to the heart of the painting. Adding this tone (being mindful to not destroy the pieceâs coloration) unified the piece.
Overall, Iâm learning from the other painters in my group. Theyâve pushed and encouraged me. I would suggest that other artists form their own groups to paint.
More on Daryl Urig:
Interview & Bio: http://www.darylurig.com/about-daryl-urig.aspx
Purchase:
Store: http://www.darylurig.com/store.html
Price: Contact: Robyn@DarylUrig.com
American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He has taught at the University of Cincinnati for over 8 years and is president of Total Media Source Inc.
View his Exhibit and Awards by clicking here.
Subscribe to Daryl Urig’s “The Adventure of an American Oil Painter” Blog by Email

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Posted in Education, Oil Paintings for Sale, concepts in painting, plein air | No Comments »
Tuesday, July 13th, 2010
See open paint #1, the beginning of this experience.
It was too hot for the model on our second evening, and unfortunately, I hadnât thought of that problem until tonight. But thanks to the ingenuity of a fellow artist, who suggested a fan and shortened pose increments, we were able to accommodate her nicely. Eventually, the night air cooled us, making the heat a non-issue for the artists and model.
This evening I tried something different with my painting. I read in a book recently that when you return to a dried canvas, you can rub it with linseed oil to give it a wet look. I liked this technique, as covering a dried canvas with wet paint often bothers me.

I learned a lot this evening. By allowing the paint to suggest the form of my image, it helped my piece. I experimented with the simplified form of basic foliage. The burnt umber color I pushed with yellows, oranges, blues and Alizarin Crimson provided a nice color to the needed greens of the scene. The colors are more vibrant when painting outside.
By breaking the canvas up into small shapes, I added rhythm to the piece, and the direction of the rake handle placed the focus on the face of the woman tending her garden.
My final imageâs likeness to the model surprised me because I was working quickly and loosely. Iâve thoroughly enjoyed my experience of painting a model live outdoors in the garden, so we are lining up another model for next week.
 Woman tending her garden - 20 x 30 inch painting on canvas
 work in progress - session 1
To view more paintings:
Recent work: http://www.darylurig.com/2010-paintings.aspx
Blog:Â http://DarylUrig.com/blog
Website: http://DarylUrig.com
More on Daryl Urig:
Interview & Bio: http://www.darylurig.com/about-daryl-urig.aspx
Purchase:
Price: Contact: Robyn@DarylUrig.com
American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He has taught at the University of Cincinnati for over 8 years and is president of Total Media Source Inc.
View his Exhibit and Awards by clicking here.
Subscribe to Daryl Urig’s “The Adventure of an American Oil Painter” Blog by Email

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Posted in Oil Paintings for Sale, concepts in painting, plein air | No Comments »
Monday, July 12th, 2010
Some of my fondest memories of childhood are of my mother working in her garden. It could have been her strong, ethereal connection during those moments, or maybe just the warm glow that laboring in the sun brings. Whatever it was, it imprinted a lasting memory of beauty in my mind.
One day, after observing my wife tending to our garden, I decided to bring my fond childhood memories to my artwork, and developed my âWomen in the Gardenâ series. Each oil painting in this series depicts a woman doing different chores in the garden.
 "Dancing Light" Awarded The Presidents Award from "The American Artists Professional League" 2008 Grand National Juried Exhibition
See the complete series here:
I used loose brush strokes and vibrant colors with highly textured flowers on the foreground to add space to paint the images in this series. By using this technique, I created my series in the same vein as the Impressionists, like Monet.
In 1867, Monet finished a painting, entitled âWomen in the Garden,â that depicted various women, including his wife, Camile, doing a variety of activities in a garden. This piece demonstrated the techniques of Impressionist artists, like loose brush strokes, blurred boundaries and vibrant colors.
In creating my series, I drew inspiration from Monet. His use of loose brush strokes and vibrant colors resonated with my wife and motherâs casual encounters with their gardens. Like Monet, I chose to paint each piece on a sunny day to capture the warmth of beautiful women tending to their gardens.
I hope you enjoy the artistic parallels my âWomen in the Gardenâ series draws to Monetâs artwork. If you are in Chicago, please stop by the Hilligoss Galleries to view my series of paintings.
To view more paintings
Recent work: http://www.darylurig.com/2010-paintings.aspx
Blog:Â http://DarylUrig.com/blog
Website: http://DarylUrig.com
Purchase:
Price: Contact: Robyn@DarylUrig.com
American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He is an Adjunct Professor at the University of Cincinnati for over 9 years and is president of Total Media Source Inc.
View his Exhibit and Awards by clicking here.
Subscribe to Daryl Urig’s “The Adventure of an American Oil Painter” Blog by Email

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Posted in Oil Paintings for Sale, concepts in painting | No Comments »
Thursday, July 8th, 2010
Thoughts before the session:
Painting a live model outside has much to offer the oil painter. Unfortunately, most artists (even some of the original Impressionists) paint their live models inside, and only move outdoors to paint their background.
Fortunately, I like to paint live models in my garden. Painting a live model in the garden provides both natural light and colors. Painting a whole piece outdoors teaches an artist to capture various moments in time in order to create a cohesive design on their canvas.
Some of the potential drawbacks of the session could be rapidly changing light, difficult weather conditions, or storms. Painting moving light, however, adds something interesting to a painting. Even in indoor settings, a modelâs movement changes the position of their garments, altering their pose and affecting the lighting.
Painting outdoors, the artist needs to be more aware of time and their surroundings. Artists only have a certain amount of time for each sitting. Due to this time restriction, artists must complete their pieces over an extended period of time. However, a day or week can change subtle parts of the landscape, making it difficult to paint a uniform image. However, I think the changing landscape is beneficial, as it provides the artist with more choices to make for their piece.

Thoughts after the first the painting session:
Before the session, I was nervous the model wouldnât show. But that proved to be needless worry, as she showed up and the session commenced on time.
Everyone started their painting differently. Some worked in one tone, others from top to bottom, and myself in a general color exploration.
We were all impressed with how our positioning for the model worked well, as over the three-hours, the lighting on the model didnât change. We only encountered subtle changes, as the light moved, providing a variety of choices for setting the model off from the background.
 work in progress - session 1
My main concern was placing the model in a position on the canvas that would allow me to heighten the composition and further develop the piece. As usual, I spent much of my session, focusing on the colors of the painting. I tried to place each stroke as a gesture stroke, loosely laying soft colors next to each other, while remaining aware of the lights and darks needed to bring the painting together.
Overall, it was an invigorating session, especially as I was in the company of committed painters. Most importantly, new friends were made and everyone appreciated the garden!
Daryl Urigâs Paintings from the Garden with a Live Model - Wednesday Evenings Open Painting
What to Bring:
Easel and painting supplies
Drop cloth - to protect my patio
Umbrella - to shade your canvas and pallet for consistent color matching
Large canvas - to complete in 2 paint sessions
Small canvas - to do a quick color study and work out composition
$15 payment is due on arrival to participate in paint session
Time: Wednesday Evening from 5:30 pm â 8:30 pm
Starts June 30th
Please come 15 minutes early to set up. Stay after to share a glass of wine, your paint experiences and dreams. Water will also be provided.
Confirmation: Please come to as many classes as your schedule will allow. E-mail prior to each class to reserve your spot.
Location:
Daryl Urigâs Studio
654 Ridgeview Drive
Harrison OH 45030
USA
513-708-7981
contact@DarylUrig.com
Notes: This is a non-instructional class. When you attend a class, please be courteous to the other painters, talk quietly, and be open to and ready to provide constructive criticism to your fellow painters. You must provide your own supplies, meals and transportation.
To view more paintings:
Recent work: http://www.darylurig.com/2010-paintings.aspx
Blog:Â http://DarylUrig.com/blog
Website: http://DarylUrig.com
More on Daryl Urig:
Interview & Bio: http://www.darylurig.com/about-daryl-urig.aspx
Purchase:
Store: http://www.darylurig.com/store.html
Price: Contact: Robyn@DarylUrig.com
American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He has taught at the University of Cincinnati for over 8 years and is president of Total Media Source Inc.
View his Exhibit and Awards by clicking here.
Subscribe to Daryl Urig’s “The Adventure of an American Oil Painter” Blog by Email

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Wednesday, July 7th, 2010
Finished!
Itâs hard to paint things to which you have an emotional attachment. Grob Farm is one of those things: Not only does it have historical importance, but my father, grandfather and three generations before were all farmers in Avon, OH. Going to and painting Grob Farm bring back many fond memories, especially since itâs a working farm that still uses a horse to plow its fields.
The trees and lighting were important to my images, as they demonstrated my protectiveness of the Farm. Even though Grob Farm is old, the long-standing trees screamed strength.

I painted the shadows and fence abstractly to focus the viewersâ attention on the farm buildings. I was also hoping these abstract depictions would draw the viewers into the composition, suggesting something better lurks on the other side of the fence.
My goal for this piece was to approach the Farm as Paul Cezanne approached his mountain. Like Cezanne, I painted plein air, provided my own interpretation of the images and used lights and darks to whimsically suggest form.
As a side note, thank you to the nice people that stopped to talk with me while I painted this location. It was fun to hear their comments and thoughts about the farm!
Read more about this story in a previous blog post: Developing a Painting of Grobs Farm #1
Read more about this story in a previous blog post: Developing a Painting of Grobs Farm #2
To view more paintings
Recent work: http://www.darylurig.com/2010-paintings.aspx
Blog:Â http://DarylUrig.com/blog
Website: http://DarylUrig.com
Purchase:
Price: Contact: Robyn@DarylUrig.com
Store: http://www.darylurig.com/store.html
American Oil Painter Daryl Urig is a member of The Portrait Society of America, Oil Painters of America and Cincinnati Art Club. He is an Adjunct Professor at the University of Cincinnati for over 9 years and is president of Total Media Source Inc.
View his Exhibit and Awards by clicking here.
Subscribe to Daryl Urig’s “The Adventure of an American Oil Painter” Blog by Email

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Posted in Historical Sites, Oil Paintings for Sale, plein air | No Comments »
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