Call/Text: 513-708-7981 or Email: contact@DarylUrig.com
To reserve your original Oil Painting by Daryl Urig
Call/Text: 513-708-7981 or Email: contact@DarylUrig.com
To reserve your original Oil Painting by Daryl Urig
I hear more about things, things, and more things. Let us all try to enrich our life, culture and those around us with good conversations. Think for our self. Believe in something. Do something selfless. Honor the law of doing good. Develop rich family customs that bring with them good memories. Learn to appreciate art. Choose habits that others would be delighted to follow. Leave something positive for the next generation. Let us all get back into the act of living. Then see the great outcome this has on our society.
What would consider adding to this list?
I have filled my gallery at the Creative Underground with many of my painting experiences. I would enjoy having you stop in for a visit. Please call or text before you come.
You may enjoy starting a painting class with me on Tuesday evenings from 5:30 to 8pm. please contact me below:
My new Online Gallery is available for viewing
If you graduated with me from Avon Lake High School, in Avon Lake, Ohio, you may not remember this gentleman. Even if you went to the school you probably would not see him unless you took an art class. Then be lucky enough to draw him as your instructor. If you played basketball you probably did not notice him behind the table keeping score, year after year.
His name was Norman Schnepf, my art teacher. Probably my most influential art instructor. He was quiet. He would offer up suggestions only if you asked him for his guidance. I asked, and he provided my aching art heart creative food for thought. If it was not for his direction back then I would no doubt be as far along as I am today.
In his class he taught me about design. He loved abstraction and was eager to share his insights to an open mind. We could explore many tools, and this is where I first came in contact with the painting knife, my primary painting tool today. I am just beginning to turn the corner and returning to some abstract painting.
After I went to my first year of art school I returned to his class to share what I learned. One student did follow me to my college. Years later I thought of him. When I Googled his name I was sorry to learn that he had past. I had wanted to thank him again for the foundation he had helped me lay in painting.
To my faithful followers that have signed up on my website blog “the Adventures of an American Oil Painter”. Thank you, it has been a very busy and challenging time.
I have so many thoughts going on in my head. Not having time to express them in a painting is very frustrating for me. Today I was able to get outside in the warm sun and finally paint a landscape viewed from my studio. Painting and tennis are very important emotional outlets for me.
This may be a little jumbled and informative so just hang in with me for a minute or two.
I’ve been finished constructing my studio. Many you have followed and seen the progress. I recently finished my desk and my “Wall of Paintings”. I have too many paintings to count and not enough frames or wall space to hang them. I designed a compact display system; this seems to be working out well. Still working on the lighting for these beautiful paintings. All of my paintings are part of my Holiday Celebration Exhibition, December 7, 8 and 9, 2015, from 10 am till 4 pm. Stop in and enjoy a glass of wine with me and peruse 100’s of paintings at friendly holiday pricing.
I never understood how having space for a gallery would affect me. It’s fun when all the paintings are displayed together. You can begin to see distinct character that is developing in your painting style. We are always learning and growing, as painters, otherwise it would not be any fun. What kinds of notions, ideas or subject matter you are drawn to. You see them popping up consistently in various paintings. It can be very encouraging and enlightening to the painter.
Over the last two or three months I have been developing two paintings, as I mentioned earlier. An abstract landscape of sky and clouds, much of this was the accomplished primarily in my head. The second is a figurative painting of a female practicing Yoga. Working with sketches, photos and painting color studies while carefully describing shapes to make an interesting representation. I cannot wait to get fully immersed in both of these developing paintings.
I am leaving in a few days for South Carolina and will be there for three weeks.
Forgot, remodeled our kitchen.
Did I mention Dan McCaw? He is a fabulous oil painter. I love his work. We have been working on a video together discussing his painting. This hopefully will be completed shortly and will be available for viewing at Daryl Urig’s Creative Underground; you also may freely view many other painter interviews at www.DUCreativeUnderground.com.
I just love what I am doing and have so much passion for it. I want to share my enthusiasm with you. In January, on the 12, 13 and 14th, 2016, I will be hosting a workshop for beginning to intermediate painters called “Get Back into Art – Finding a Creative Outlet” at my Creative Underground Studio. Please see details on my website.
Hope to see you soon.
I have such fond memories of my grandpa. He died young when I was either 7 or 8 years old. He was what I wanted to be when I grew up. He loved children. As a child that felt wonderful. Though my father embodied this statement as well, he did not spend time with me as Grandpa did. I remember “Pa”, that is what we called him. He taught me to play my toy xylophone. We built a model of two black bears. We glued the pieces together and then carefully painted them. We also built a wooden stagecoach model. I valued and treasured each experience like a gift that I kept for years. He instructed me in the value of “The Nurseryman” which he was, by germinating orange seeds in our refrigerator. Seeing them sprout we nurtured the seedlings into trees. We had so many small trees. Year’s later in the tenth grade metal shop class I built a large sheet metal pot to house one final selected tree. I kept this tree for probably 25 more years when it died. Pa seemed to have no limits. He was engaged with his grandchildren and I loved him for it.
When I got my chance with my granddaughter this past year I knew what to do. I cannot tell you how fulfilling this is for me. Passing on what I learned from a great man.
The Paint Brush vs. the Painting Knife
I have been working on this painting “Happy Grandpa” this last week using a paintbrush. I know that using a brush may not be surprising since that is what most painters use. Though for the past 9 years I have been painting solely with a painting knife. Some like to call it a pallet knife others a trowel since it is so large and resembles a cement trowel. I used a Robert Simons No. 8 Signet, 3/4 inch Rosemary & Co. Series 303 and No. 6 Ivory Rigger brushes.
One of the reasons I hated using a paintbrush in the past and began to favor the Painting Knife was because of the nuisance and time wasting effort needed in washing them out with turpentine. As many of you know I paint with M. Graham Oil Paints that are made with Walnut Oil for the last 9 years. No more smelly turpentine’s, I don’t care if they call them odorless or not, I can still smell them, and they give me a headache.
With this brush painting I made use of my paper towels to pull the unwanted paint from my brush. I learned this from years of painting with a Painting Knife. If I need a cleaner brush, I lay it in some Walnut Oil and then pull out the unwanted pigment with a paper towel or rag. This is definitely an added benefit and convenience of brush painting with M. Graham Walnut Oil. Then wash it in Murphy Oil Soap when I am ready to stop painting for the day. I form the bristles of the brush to keep its shape and air-dry it.
Still, when it comes to being expedient a knife is the way to go. If you want softer edges and a little more hassle we always have artist paint brushes.
In developing a plein air painting you have many varied options. I choose the path of developing the plein air sketch with as much passion as I could master along with being sensitive to observed color and the visual lost and found edges that disappeared into the shadow regions. The study was completed in Richmond Indiana.
Having a second attempt back in my studio, The Creative Underground, I was able to continue my path. Things I found important where to lessen any obvious drawing problems. Provide more space around the image for proper framing. Keep the gusto of the paint application similar to the study. Add a figure to provide a Marine Outlet mechanic while hosting that beautiful orange segment and texture towards the middle of the canvas.
When you enlarge a painting from 9 x 12 to 18 x 24 you can see that the texture is not as obvious in the larger final as it was in the smaller study. I could have kept this more similar by using a larger painting knife but chose instead to focus on texture detailing in the painting.
I loved the curved rusted shapes of the building and its design contrasting the old car that seemed to be parked beside the building and resting for a long time. These lost but not forgotten items once a big part of our lives seem to always catch my interest.
Then how much did I really need to say to depict this situation in the final painting? I chose to leave out absolutely as much detailed information as I could. Including only what was itself necessary in telling the story. You can see by the car and the man that so much was left out upon studying and what where the essentials to tell the story. Even a rough swoosh of paint to represent an arm and hand for the gentleman.
I have just updated my Gallery with some of my latest Paintings. It is a better view and representation of my paintings. Please visit here: http://darylurig.com/store.html
I was able to see many artists this past weekend in Richmond Indiana for the IPAP, OPAS & RAM paint out. I was surprised how close Richmond is to Springdale Ohio. We had nice weather and a wonderful time painting and talking with other painters.
Many mentioned to me to count them in for the FREE EVENT, IPAP, SkyScapes & Urban Settings Paint Out. Open to all Plein Air Painters on September 5, 2014 at the Creative Underground. There is a pretty view here. I updated the flyer with the latest information including our judge since she had a family event date conflict. Miss you Mary Ann.
If you can, please Text: 513-708-7981 or Email: Contact@DarylUrig.com your full name so I may get a good idea of those participating.
I have secured inexpensive lodging for about $50 an evening. If you want to double or triple up it could be a lesser cost. So please register with the hotel early. I believe a breakfast is included.
Many great quality painting prizes to be won and awarded at the event. A Paint Safe Easel donated by Wayne Campbell we will have a drawing for from the first 25 sign-ups to appear. Including prizes from M. Graham Oil Paints, Rosemary Brushes, Plaza Art and more. Plus Plein Air games for fun and awards.
I planned group lunch for those who want to gather and interact with other painters. It will be a good social plein air experience with awards for all levels of painters to have a chance to win.
Please pass this along to any other groups you may be involved in so it may be a success.
A follow up workshop is offered to those wanting to attend.
Questions? Call/Text: 513-708-7981
or Email: Contact@DarylUrig.com
I look forward to seeing you.