In developing a plein air painting you have many varied options. I choose the path of developing the plein air sketch with as much passion as I could master along with being sensitive to observed color and the visual lost and found edges that disappeared into the shadow regions. The study was completed in Richmond Indiana.
Having a second attempt back in my studio, The Creative Underground, I was able to continue my path. Things I found important where to lessen any obvious drawing problems. Provide more space around the image for proper framing. Keep the gusto of the paint application similar to the study. Add a figure to provide a Marine Outlet mechanic while hosting that beautiful orange segment and texture towards the middle of the canvas.
When you enlarge a painting from 9 x 12 to 18 x 24 you can see that the texture is not as obvious in the larger final as it was in the smaller study. I could have kept this more similar by using a larger painting knife but chose instead to focus on texture detailing in the painting.
I loved the curved rusted shapes of the building and its design contrasting the old car that seemed to be parked beside the building and resting for a long time. These lost but not forgotten items once a big part of our lives seem to always catch my interest.
Then how much did I really need to say to depict this situation in the final painting? I chose to leave out absolutely as much detailed information as I could. Including only what was itself necessary in telling the story. You can see by the car and the man that so much was left out upon studying and what where the essentials to tell the story. Even a rough swoosh of paint to represent an arm and hand for the gentleman.
I was able to see many artists this past weekend in Richmond Indiana for the IPAP, OPAS & RAM paint out. I was surprised how close Richmond is to Springdale Ohio. We had nice weather and a wonderful time painting and talking with other painters.
Many mentioned to me to count them in for the FREE EVENT, IPAP, SkyScapes & Urban Settings Paint Out. Open to all Plein Air Painters on September 5, 2014 at the Creative Underground. There is a pretty view here. I updated the flyer with the latest information including our judge since she had a family event date conflict. Miss you Mary Ann.
If you can, please Text: 513-708-7981 or Email: Contact@DarylUrig.com your full name so I may get a good idea of those participating.
I have secured inexpensive lodging for about $50 an evening. If you want to double or triple up it could be a lesser cost. So please register with the hotel early. I believe a breakfast is included.
Many great quality painting prizes to be won and awarded at the event. A Paint Safe Easel donated by Wayne Campbell we will have a drawing for from the first 25 sign-ups to appear. Including prizes from M. Graham Oil Paints, Rosemary Brushes, Plaza Art and more. Plus Plein Air games for fun and awards.
I planned group lunch for those who want to gather and interact with other painters. It will be a good social plein air experience with awards for all levels of painters to have a chance to win.
Please pass this along to any other groups you may be involved in so it may be a success.
A follow up workshop is offered to those wanting to attend.
September 7, 8 & 9, 2015 Immersive Plein Air Experience – Workshop Daryl Urig – At the DU Creative Underground 430 Ray Norrish Drive, Springdale(Cincinnati), OH Cost $375 We can learn so much from painting on location in the open air. Lots of hands on demonstrations and practical explanations on the benefits of having an a plan for capturing great Plein-Air painting studies. Including creating dynamic compositions, mixing rich colors, and capturing light with lively paint. You will be amazed at the difference it will make to your paintings. Open media, demonstrations with painting knife in oil paint and pencil.
Questions? Call/Text: 513-708-7981
or Email: Contact@DarylUrig.com